![]() ![]() I did not think there was a mic out there that could handle the kind of dynamic range that opera singers produce, while also capturing the qualitative nuance of character and expression that the singers must achieve. The idea of using wireless to capture a live performance astonished me. “One article in particular caught my attention: DPA microphones were used to mic the entire cast and orchestra of a San Francisco Opera performance for the purpose of recording it. “I started receiving Live Design’s online newsletter and DPA kept popping up in the articles I found most interesting,” she says. Peckham first heard of DPA after attending a Live Design conference in Las Vegas. Peckham found the solution she needed in DPA Microphones’ d:screet 4061 Necklace Microphone. Peckham recognized early that she would also need equipment capable of performing under Kathmandu’s less than forgiving environment. Mitchell was looking for a sound engineer to go to Nepal to work on the first opera ever performed in that country. KATHMANDU, NEPAL, FEBRU– When Lucy Peckham, co-partner of Anchorage-based Both Ears Live Sound, was contacted by Greg Mitchell, a design professor at UC Santa Barbara, she knew she would be a part of something special.
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